Chapter 7
© 2013 by the author
Wednesday, ca. 9:00 a.m., June 9, 2010
“So there’s no way to gain access to the other victims’
bank accounts?” The four principal investigators on The Carma Klown task force
reacted in dismay to Sophia White’s refusal to ask for warrants to check the
finances of the other men who had appeared in the CK videos. Each of them
interrupted the assistant DA’s explanation with a version of the same question.
The table was strewn with empty coffee cups and the remains of the pastries
Altmann had brought for the 8:30 a.m. meeting. For the past half-hour, they had
been discussing what they had learned so far and suggesting possible avenues
for investigation.
White shook her head. “There are no grounds for a
warrant. As far as we know at this point, none of the other victims has
committed a crime or even been involved in the commission of what we can claim
to be a crime. None of them has filed a complaint. The only reason you can look
into Rossiter’s finances is because he committed suicide, and that’s still on
the books as a crime. And that’s what gives us the right to look into his life.
Otherwise you couldn’t go near his records either.”
“There has to be some way to get this information,”
Altmann said.
“At the moment, the only way is to get them to talk to
you willingly. I think some of them may be persuadable. Their colleagues in the
financial world are worried about becoming the next victims of the Klown. For
some reason,” White smiled ironically, “they seem to be worried about that.
Only god knows why they think this maniac might single them out. Anyway, the
mayor or my boss might be able to ask other people in the financial
world—people the victims in the videos respect or have to listen to—to talk to
them and pressure them to cooperate. The interviews would have to be very
discreet, however. They would probably insist on having a team of lawyers
present to advise them before they said anything. They might be more ready to
agree if my boss rather than the police conducted the interviews at their homes
or offices. If they do, you’d have to prepare a list of questions for him.”
“Are they still claiming that the videos are a hoax? That
it’s not really them in the videos?” Redding asked.
“Yes. Not one of them will admit to being in the videos.
The official story is that they were Photoshopped into them. Is that possible,
Detective Chang?” White turned to look at Michael.
Michael shook his head. “It’s possible, but I think it’s
unlikely. I examined each video second by second. Each one is a continuous
recording. There are no splices or interruptions. The lighting is uniform. The
motions are unbroken. The sound level is constant throughout. The density of
pixels remains constant—that means that a smaller image wasn’t blown up to fit
inside a larger image or vice versa. I’ve found a recording of a speech made by
Morris Lanning, the second victim, to some business group, and I’ve contacted
an expert at City University to check the voice on the tape against Lanning’s.
That should allow us to confirm whether it’s Lanning speaking on the video or
not. Even if my expert says it’s not Lanning’s voice on the CK video, that will
be helpful. We won’t have to spend time trying to figure out how the Klown got
these guys to appear in the videos. But I think we’ll find that it is Lanning
on the tape. These guys can argue it’s not them in the videos, but as far as I
can see there’s no evidence to prove that in the videos themselves.”
“There is one way to prove whether it’s them in the
videos.” Baker grabbed the file with coroner’s preliminary report on Rossiter
off the table and flipped through the photographs until he found the one he
wanted. He held it up so that it faced the others. “Rossiter’s autopsy revealed
that he had the CK tattoo on his ass. The other guys in the videos have the
same tattoo. Ask them to undress if they want to prove it’s not them in the
videos. No clown on the butt, the video’s a hoax. A clown on the butt, they
were in it. Even if they tried to have the tattoo lasered off, there will still
be a trace of it.”
“Yeah, I can just about see their lawyers agreeing to
having them drop trou. Do you suppose my boss will invite me along for those
interviews?” The others joined White in laughing at the thought of the matronly
looking ADA examining the victims’ buttocks. “Seriously, how long does it take
to get a tattoo like that? Does anyone know? The coroner estimates it was done
about eighteen hours before Rossiter killed himself, or around midnight on
Saturday. I just can’t figure out the timeline on this. Rossiter worked at his
office until just before 6:30 on Saturday night. Then he went out for drinks
with a group of his employees. Rossiter and what’s his name?—she consulted her
notes—“and this Bradford Williams III decide to have dinner together. According
to Williams, Rossiter gave no sign that anything was wrong. A little after
10:00, Rossiter says that he’s tired and that he still needs to call his wife
and son in California that night. He gets into a cab and leaves. The cabbie
says that he was talking on the phone for most of the ride and that he was
still talking when he got out of the cab in front of his home. The phone
records verify that. That’s the last anyone sees of him until the video is
posted the next morning. And then too many people see him. At some point
between the time he got out of that cab and around 9:00 the next morning,
Rossiter presumably gets the tattoo and makes the video.”
“The video wasn’t made in his house,” said Chang. “He had
to have been somewhere else.”
“You’re sure about that?” asked White.
Michael nodded. “Absolutely. These videos are being made
in a dedicated facility. You can’t just put together equipment like that in a
spare room in somebody’s house. It would take time to set up and then dismantle
a set like that. Do you know how hard it is to exclude all external light and
sound? It would be too much trouble for the Klown to do it in a different place
each time. No, I’m 99 percent sure that it’s the same place each time. I’ll be
able to verify that if we ever find the place and the camera.”
“So we’re looking at a period of time from 10:48 p.m. on
Saturday when Rossiter’s phone call to his wife ended and roughly, let’s say,
7:00 a.m. Sunday.” Altmann held up his left hand and splayed the fingers. With
the index finger of his right hand, he began ticking off the points. “During
that time, (a) Rossiter either drives to the place the video was made or is
abducted and taken there. I think we can assume that an abduction would take
longer because Rossiter would be struggling. But we haven’t found any signs at
his house that he resisted. Nor did any of his neighbors see or hear anything.
(b) Rossiter gets a tattoo—maybe. Maybe the tattoo was made beforehand—although
the coroner is sure that the tattoo was made Saturday night around midnight.
(c) The Carma Klown makes the video with Rossiter in it. (d) Rossiter returns
home or is returned home. The actual video lasts what—about fifteen minutes?
Presumably even with the best equipped facility, there’s going to be set up
time—lighting and so on. Then the actors have to be drilled. Rossiter and The
Carma Klown—if that’s who is doing the talking in the background—have to
rehearse their lines. The guy supplying the butt has to be told what to do. So,
say, a minimum of two hours, probably more, to prepare to make the video and to
actually make it. Maybe if they’ve done this before and are organized, a little
less. This of course is assuming that Rossiter didn’t make that video
willingly. That tattoo—how long would that take?”
“I’ll call around and check,” said Baker. “I know that
simple tattoos are quick. When I was in the Marines, I was with a guy in the
Gulf when he got an outline of a small heart and arrow with his girlfriend’s
name on his upper arm. That was just plain black, and it took maybe half an
hour, forty-five minutes at most. But this one is complicated and has lots of
colors and shading. That’s gotta take longer, don’t you think?”
“Much longer.” Redding took off his glasses and rubbed
his eyes. Baker had left the photograph of Rossiter’s tattoo on the table, and
he didn’t want to look at it anymore. “Usually they ink in the outline of the
tattoo in black and then go back later and add the colors one at a time. A
really complicated tattoo can take several hours spread out over several
sessions. But I can’t see Rossiter getting this tattoo willingly, can you? He
had to have known about the other Carma Klown videos. They’ve been all over the
news. People are talking about them, especially people in his world. He
probably knew some of the earlier victims, at least by name. I can’t see
someone agreeing to get this tattoo knowing that it would soon be featured in a
video in which he would admit to various crimes and then engage in an
embarrassing behavior. It doesn’t make any sense that he would do that unless
he was unconscious or drugged.”
“That’s a good point,” said White. “But we’ll have to
wait until the blood tests come back to find out.”
“Ah, Captain,” Michael raised his hand to interrupt.
“There’s a new technique for making tattoos. It involves programming a computer
to make the tattoo. It’s like color printing. Multiple colors can be laid down
simultaneously. It’s a lot faster than having a single person do the inking.
And if the Klown is using something like that, he would have the machine
pre-programmed and ready with all the inks so that he wouldn’t have to wait.
From what I’ve read, a tattoo like this one would take about fifteen minutes.
But I understand that the process is painful. People have to be sedated while
it’s being done. But it’s still in the experimental stage. There can’t be more
than a few such machines in the city. We could check on them.”
“Ok, Mike, if you will do that. When you get a list, give
it to Phil and Jerry. They’ll assign some of their guys to look into it.
Otherwise, Jerry, if you’ll ask around about how long it would take to make The
Carma Klown tattoo on someone’s butt in the old-fashioned way. Maybe see if
anyone has been hired to do such a tattoo late at night—we might get lucky and
get a lead that way. Sophia, Mike suggested in his memo that we might be able
to get this website to cooperate and divulge the source of the video. They’re
located in Florida. What are the chances of getting a warrant?”
“Again, next to nonexistent.” White shook her head. “Most
of these porn sites are run by the Russian mob. They may have an address in the
US so that they can look domestic and All-American for their customers, but the
entire operation is somewhere else. I emailed them asking them to cooperate,
but I don’t expect to hear back. Michael, what have you found out about them?”
“This Star in Your Own Porn website doesn’t really have
customers. Anyone can join just by giving them an email address and a screen
name. Once you’ve joined, you can upload videos or watch them—as many as you
like. They make their money through ads. If you try to watch a video, you get
deluged by ads and banners and pop-ups. It takes a good minute to clear the
screen so that you can watch the video you want. I should also warn you that
it’s a dangerous site. I’d advise all of you to make sure your antivirus
program is up to date before you go online with them. The site will try to
install a Trojan on your computer. They certainly will use your email address
to bombard you with other ads. I’ve got clean—safe—copies of all the videos.
I’ve uploaded them to the electronic case file on the police computer. Have
your people use those. If there are more CK videos, I’ll do the same.”
“Good work, Mike,” said Altmann,
“Phil, Jerry, make sure everyone on your teams knows about this. I’ll get
someone to circulate a department-wide warning. Sophia, you should tell your
people too.”
Everyone nodded and jotted down
a note.
“Steve,” Phil Redding asked,
“what about Michael’s suggestions that we try to identify the other actors in
the videos—the guys whose asses are used? I’ve got some ideas on that. And, I
know it’s a long shot, but, like Michael said, maybe we should look at the
comments posted with the videos to see if the victims were mentioned before
they appeared in the videos. Michael, I assume that there’s some way of
searching the comments for the names. I’ve got several people on my team I can
assign to you, if that would help.”
Michael was about to answer,
when his phone and those of the other three policemen in the room rang
simultaneously.
Phil Redding was the first to react and check the
message. “Hey, we got one of those department-wide alerts. First time I’ve seen
that system in action.”
All four cops checked their phones. Altmann held his so
that White could read the message as it came up on the screen. The department’s
official seal materialized on the screen over the words “Official Alert.” The
screen went black for a second and then the message appeared.
“Stay tuned. Important video at 9:18.”
“Captain, that’s the time the . . . .”
“I know what the time means. That’s two minutes from now.
Jesus, what is this nutjob doing now? How could he get into the system? No,
it’s impossible, isn’t it, Mike? It must be a coincidence. It can’t be another
Carma Klown video. Mike, don’t these alerts go to all computers?”
“Yeah, as long as a computer is connected to the main
network, the alert will be broadcast on it.”
The five people rushed out the door and clustered around
the nearest screen, looking over the shoulders of the detective who until a few
seconds before had been typing a report. All activity in the squad room ceased as
everyone found a screen to watch. The air filled with questions and speculation
until Altmann shouted. “Quiet, everyone. Here it comes. Michael, can we record
this?”
Michael pushed aside the cop sitting before the monitor
and typed furiously for a few seconds. “Got it, Captain.” A moment later the
video began.
Two men knelt motionless on their hand and knees, side by
side. They wore the uniforms of beat cops, including the hat with its
distinctive sharp corners on the bright white pentagonal crown. Both were well
built, broad shouldered, with thick forearms covered with black hair protruding
from the sleeves of their uniforms. The muscles of their upper arms stretched
the fabric of their shirts, and their trousers strained to contain their huge
thighs. Their faces were tilted downward and obscured by the long, shiny black
rounded visors of their hats and by large aviator-style sunglasses. The camera
slowly circled their bodies, lingering over the insignia on the sleeves of
their shirts and their gun belts. The various tools on the belts—the heavy
flashlight, the baton, the gun itself—hung down at angles. Their highly
polished shoes gleamed in the light.
When the camera completed its circuit, it stopped. First
one man, then the other, swayed forward a bit to the accompaniment of the sound
of cloth ripping before settling back into his former position. The first man
grunted and then moaned. It was impossible to tell whether he groaned from pain
or pleasure or both. A few seconds later, the second man did the same.
The camera resumed its slow circuit of their bodies. As
before, it lingered over the insignia on their sleeves and then slowly moved
down their bodies to their gun belts. But this time there were differences.
Pinned to the fabric of their trousers over their right buttocks were badges.
The camera zoomed in on each until it filled the screen. The numbers were
clearly visible.
“Someone check those numbers,” ordered Altmann. Several
of those watching typed the numbers into their computers.
“7211 is Patrolman Patrick Reilly, 62nd Precinct,
currently assigned to the night shift, Thursday through Sunday.”
“3589 is Patrolman Frank Milowski, assigned to Superior
Court 2, day shift, Tuesday through Friday.”
“Find out where they are now. We need to bring them in.”
Altmann looked around the room and signaled to two of his squad to get on it.
“Jesus, what the fuck is that?” The shocked voice was met
with silence as everyone gasped.
The camera continued its clockwise circuit so that more
of the kneeling men’s rear ends came into view. Each man’s uniform trousers and
underpants had been split at the rear seam and cut open beneath the belt and at
the top of the thigh on the left side. The left-hand sides of their pants had
been peeled back, exposing the left buttock. Extending from between each man’s
buttocks was a curling piece of black plastic, thicker at the base and
narrowing to a tip at the end.
Someone in the crowded room spoke up. “It’s a butt plug,
shaped like a pig’s tail.”
There were murmurs of outrage throughout the room as the
camera paused for a minute. An older cop who asked, “What’s a butt plug?” was
shushed into silence.
The camera pulled back slightly so that all of both men’s
buttocks was visible. Tattooed on the left cheeks was the image of The Carma
Klown speeding away in his tiny car.
The silence in the squad room was complete now as the
camera continued its circling until it reached their heads again. In front of
each man lay a pink cardboard box, the lid folded back, containing a mixed
assortment of frosted and glazed donuts.
“What are you?” The voice of The Carma Klown spoke from
several dozen computers and cell phones.
“Pigs, Sir,” both men replied.
“And pigs like donuts, don’t they?”
“Sir, Yes, SIR.” The response was immediate and
enthusiastic.
“Just the thought of donuts makes pigs wag their tails,
doesn’t it?”
The camera pulled back again to show the entire scene.
Both men were now wagging their “tails” and grunting.
The Carma Klown laughed maniacally. “Well, then, bon appetit,
piggies.”
The two men plunged their faces into the boxes of donuts,
tearing at them with their teeth and open mouths and squealing and grunting
with pleasure. Frosting—chocolate brown, vanilla white, strawberry pink, lemon
yellow—coated their chins and lips and stuck to their noses as they gulped down
the donuts. Quickly their sunglasses and the visors of their hats became
smeared with muck. Variously colored sprinkles and jimmies stuck to them.
“An edifying sight, don’t you agree?” The Carma Klown
taunted the viewers he knew were watching intently. “I do want to thank these
patrolmen for helping me. It was so kind of them to take time off from their
busy days to come in. As you can see, I’ve found an appropriate way to repay
them for their trouble. Mmm, mmm, the boys sure do like those donuts, don’t
they? Just look at them wolfing them down. I imagine the rest of you are
getting the munchies for some yummy donuts right about now. Well, I’m sorry I
couldn’t supply each of you with your own box so that you would have something
to chow down on while you watch. But don’t worry. Next time—and there will be a
next time, you can be sure of that—next time, it could be any of you. So don’t
despair. You may have a chance to assist me in making a video. And next time I
might have you slobbering over something more than donuts. Think on it. It
could be you, Captain Steve Altmann. Or you, Detective
Sergeant Jerry Baker. Or you, Detective Sergeant Phil Redding. Or you,
Detective Michael Chang. Although maybe not Phil and Michael. They might enjoy
what I have planned for the next pair of cops.”
The mad laughter resumed as the images of the screen
changed to the exit shots of The Carma Klown and his speeding car.
The spectators in the squad room collectively exhaled as
they straightened up and backed away from the screens they had been watching.
When Altmann turned around to speak, he discovered that everyone had drawn away
from the group of four principal investigators, isolating them, almost as if
the Klown’s comments had suddenly turned them into pariahs, a source of
potential contagion.
“Captain?”
“What, Michael?”
Michael was excited. “The Klown’s made a couple of mistakes.
When the camera circles the men, the guy on the left—he’s wearing a watch. It’s
on screen twice. We might be able to get a time off it. We know his work
schedule, and we should be able to pin down if the video was made during the
day or at night.”
“Sharp eyes, Mike.” Altmann nodded approvingly. “That
will really be helpful. What else you got?”
“This video is filled with shiny surfaces—the visors on
the men’s hats, their glasses, their batons, their shoes, even their guns—there
are reflective surfaces everywhere. And there are images inside those
reflections. Those are standard batons and standard-issue guns. We know how
long they are. We can measure the angles at which they are hanging. I can use
that to figure out angles and lengths and heights and I can create a composite
image of what’s generating the image in the reflection. Plus he had to hack
into the network to broadcast this video. I can trace that.”
“Jesus, Chang, aren’t you scared?” Sergeant Ryan
interrupted, “The guy knows your name. He practically threatened that you would
be next. You guys are marked.”
Michael waved him away. “Then the sooner we find him, the
sooner we’ll be safe. Captain,” he turned back to Altmann, “Captain, can I get
started?”
“Go, Mike, go. The rest of you guys, Mike asks for your
help, you give it to him, you understand.”
There were enthusiastic murmurs from the crowd of
officers and civilians in the room. As Michael headed back toward his cubicle,
two detectives broke away and followed him, animatedly offering ideas and their
help. One of them, Altmann noted, was Jim Mitchell, the resident expert on
using angles of entry on gunshot wounds and blood spatter to calculate angles
and distances. The other was a young women, Ellen Corwin, who was as much of a
computer geek as Mike. He couldn’t have picked two better assistants for what
Michael intended to do.
“Baker, Redding, we need to interview those two cops
right away. But get a doctor in here to get blood samples first. Let’s find out
what the Klown used to drug them. There’s no way they cooperated willingly with
him.” As Altmann doled out tasks, he was pleased to note the enthusiasm with
which everyone clamored to join the task force. He had to restrain several of
his detectives who wanted to abandon other important cases. Mike Chang was
right. The Klown had made a mistake, several mistakes. If he thought that the
video would demoralize the department, he was wrong. It had galvanized it.
No comments:
Post a Comment